I
J.S. Bach
- Concert in F min BWV 1056
- Concert in G min BWV 1058
- Concert in D min BWV 1052
- Concert in D maj BWV 1054
- Concert for two pianos in C min BWV 1060
- Concert for three pianos in C maj BWV 1064
II
W.A. Mozart
- Concert n. 4 in G maj K 41
- Concert n. 7 for three pianos in F maj K 242
- Concert n. 9 in E moll maj K 271
- Concert n. 11 in B moll maj K 413
- Concert n. 12 in A maj K 414
- Concert n. 13 in C maj K 415
- Concert n. 17 in G maj K 453
- Concert n. 27 in E moll maj K 595
- Concert Rondō in D maj K 382
- Concert Rondō in A maj K 386
III
L. van Beethoven
- Concert n. 2 op. 19 in B moll maj
- Concert n. 4 op. 58 in G maj
IV
C. Frank
- Les Djinns Symphonic Poem for piano and orchestra
- Symphonic Variations for piano and orchestra
V
E. Grieg
VI
F. Mendelssohnn
- Concert n. 1 op. 25 in G min
- Concert n. 2 op. 40 in D min
- Brilliant Caprice op. 22 in B min
- Brilliant Rondō op. 29 in E moll maj
- Serenata and Allegro Gioioso op. 43 in B min
VII
N. Rota
- Concert Soirée for piano and orchestra
VIII
S. Shostakovich
- Concert n. 1 op. 35 in C min for piano, trumpet and strings
IX
G. Gershwin
X
C. Saint Saens
XI
A.G. Acilu (1929)
- Concierto n. 2 para piano y orquesta
The a.m. programmes have to be considered as simply indicatory; they can be modified and/or integrated according to different needs.