Andrea Bacchetti

Genoese and born in 1977, Andrea Bacchetti had his chance to contact some of greatest protagonist in musical scene when he still was very young: from Herbert von Karajan to Luciano Berio, from the historical artistic director of Teatro La Scala and Accademia Santa Cecilia Francesco Siciliani to the pianists Mieczyslav Horszowsky and Nikita Magaloff.
He had his debut at the age of eleven at Sala Verdi of Milan Conservatory, with the Solisti Veneti conducted by Claudio Scimone, and then he improved himself under the lead of Franco Scala at the pianistic Accademy "Meetings with the Maestro" in Imola.
His career saw him as protagonist in greatest institutions and festivals all around the world, committed in long tours in Northern and Southern America, and also in Japan. He collaborates with the cellist Rocco Filippini, the violinist Domenico Nordio, with the Prazak and Ysa˙e Quartets, and with the Quartet of Cremona.
In 2001 the jury of the Micheli contest, headed by Luciano Berio, unanimously assigned to him the Special Prize of Calouste Gulbenkian Foundation for the best execution of the contemporary score in the contest program. Since that moment, it has born an artistic harmony with Berio that took Bacchetti to record his compositions for piano in a disc that has obtained a great success.
In the latest years, his discographical recordings increased, making Bacchetti one of the most renown and appreciated Italian pianists on the international scene. He recorded among other things, CDs and DVDs dedicated to compositions for piano by authors as Galuppi and Cherubini, as well as the English Suites, the Toccatas and the Goldberg Variations by Bach. In 2013 he will play in tour in countries as Mexico, Brazil and Argentina.

In the celebration day of the birth of united Italy, that was proclaimed on March 17th 1861 with a signed-law by Vittorio Emanuele II, Andrea Bacchetti offers a course in two centuries of Italian music for piano, putting near one another authors that he has largely recorded. Without following any chronological order, so, it goes from the baroque style of Domenico Scarlatti and Benedetto Marcello to the classicism by Baldassarre Galuppi and Giovanni Paisiello, in order to reach the first Twentieth Century of Guido Alberto Fano, Giuseppe Martucci's favorite pupil in Bologna, and Luciano Berio, protagonist of the most recent season of Italian music, remembering him ten year after his demise (May 27th 2003).