I

J.S. Bach

• Concert in F min BWV 1056
• Concert in G min BWV 1058
• Concert in D min BWV 1052
• Concert in D maj BWV 1054
• Concert for two pianos in C min BWV 1060
• Concert for three pianos in C maj BWV 1064

II

W.A. Mozart

• Concert n. 4 in G maj K 41
• Concert n. 7 for three pianos in F maj K 242
• Concert n. 9 in E moll maj K 271
• Concert n. 11 in B moll maj K 413
• Concert n. 12 in A maj K 414
• Concert n. 13 in C maj K 415
• Concert n. 17 in G maj K 453
• Concert n. 27 in E moll maj K 595
• Concert Rondò in D maj K 382
• Concert Rondò in A maj K 386

III

L. van Beethoven

• Concert n. 2 op. 19 in B moll maj
• Concert n. 4 op. 58 in G maj

IV

C. Frank

• Les Djinns–Symphonic Poem for piano and orchestra
• Symphonic Variations for piano and orchestra

V

E. Grieg

• Concert op. 16 in A min

VI

F. Mendelssohnn

• Concert n. 1 op. 25 in G min
• Concert n. 2 op. 40 in D min
• Brilliant Caprice op. 22 in B min
• Brilliant Rondò op. 29 in E moll maj
• Serenata and Allegro Gioioso op. 43 in B min

VII

N. Rota

• Concert Soirée for piano and orchestra

VIII

S. Shostakovich

• Concert n. 1 op. 35 in C min for piano, trumpet and strings

IX

G. Gershwin

• Rapsody in Blue

X

C. Saint Saens

• Carnival of the Animals

XI

A.G. Acilu (1929)

• Concierto n. 2 para piano y orquesta

The a.m. programmes have to be considered as simply indicatory; they can be modified and/or integrated according to different needs.